We thoroughly reading through this piece from No Film School (and were so glad to confirm our NoHo Hank improvising suspicions). Make sure you read all the way through for Buchanan’s advise to aspiring editors:
Buchanan and the show’s other editor, Kyle Reiter, attempt to make every scene as funny, dramatic, or tense as they possibly can. It’s then a process of narrowing things down and nailing tone.
“And then you sit down and you watch the whole thing together, and that’s when you start to feel like, ‘Okay, we’ve gone too broad comedy here,’” he said. “‘We can’t have this broad comedy scene with this super-dramatic scene right after.’”
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